Sleigh the Holidays, Volume II by Head Bitch Music: A Juncture of Diverse Festive Feelings

Head Bitch Music returns with “Sleigh the Holidays, Volume II” continuing the label's mission of spotlighting underrepresented voices through genre-diverse, emotionally rich releases. Volume II expands the sonic and thematic scope introduced in Volume I, trading traditional holiday gloss for honest storytelling, inclusive perspectives, and sparkling production styles. The compilation partners with Jack Antonoff’s The Ally Coalition, reinforcing HBM’s commitment to advocacy and LGBTQIA+ youth support. With seventeen artists boasting a cumulative following of over 15 million, the album blends star power with grassroots authenticity, amplifying queer joy, chosen family, and seasonal introspection. Musically, the project spans indie, electro-pop, acoustic folk, disco, dream-pop, and experimental influences—redefining the holiday genre for a new generation.

The album captures the full emotional spectrum of the holiday season, where love, longing, loneliness, intimacy, nostalgia, and self-discovery collide.

“Sleigh the Holidays, Volume II” is an intentional, cohesive, and celebratory collection of songs, offering the perfect holiday experience through music. Opening with, “Christmas Time (Me, Myself, and I)” by BITTERS, the compilation captures the idea of celebrating one’s own company. “ “Jingle Belles” by The Blah Blah Blahs is a Blondie-inspired, disco-punk reimagining that turns the classic into a glitter-drenched dance-floor riot. Liv Slingerland’s “It’s the Most Wonderful Time of the Year” is a warm, acoustic interpretation that strips the classic back to raw simplicity and emotional coziness, perfect for the holiday vibes. Skyler Cocco pours pure emotions into “snowglobe,”an original dream-pop track that blends airy vocals with introspective lyricism, capturing the quiet loneliness of L.A. winters.

“Santa Baby” by JPOLND is a sultry and smooth take on the classic, leaning into atmospheric production and a slow-burn vocal approach. Donnie Brightko and B.K.L.A come together to create an upbeat, infectious friendship anthem with an irresistibly bright pop energy in “Bestie Christmas.” “In the Bleak Midwinter” by Rachel K Collier is just pure magic with its electronic-tinged reinterpretation that transforms the hymn into a lush, ambient sound. Other songs like “Auld Lang Syne” by Devon Michael, “Have Yourself a Merry Little Christmas” by Frances Anderson, and “Two Queens in a King Sized Bed” by NIKI DEMAR & Julianne Hope, bring in an all inclusive vibe through the cords of music. The album is truly as refreshing and united as the holidays.

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